game tokens
Drawing after a photograph in a New Scientist article about the archaeological discovery in Turkey of game tokens from the early Bronze Age, 5,000 years ago. I wonder about whether this marks a significant shift in the production of artefacts away from the utilitarian or ritual manufacture of individual objects towards the production of […] more…
the pervasive medium is the pervasive message
Some notes on ‘content’ after some years hanging out at the Pervasive Media Studio, and re-visiting research by Jon Dovey and Constance Fleuriot on their knowledge exchange work with makers and producers at Studio. I have been struck by the investment many pervasive media practitioners have in ‘content’ or ‘story’ as the motive for the objects […] more…
robot phenomenology
From a fascinating and wide-ranging talk (2011, copied here from an old blog) at the Pervasive Media Studio by Prof. Chris Melhuish of the Bristol Robotics Laboratory… The focus was the challenge of making robots that can operate socially, i.e. in everyday settings with humans – e.g. in the domestic environment or in healthcare. I […] more…
you could vibrato it
A quick cut and annotation of a microethological study of the testing of Alphasphere at the Pervasive Media Studio some years ago. I’ve put it here as reference for a workshop on haptic play at RMIT this week. I’ll explain more here later. more…
sensory ethnography
This is from an old blog ages ago, but is useful for a WSA PhD ethnography event in a few weeks, and my forthcoming trip to Australia. Some rough notes from a very interesting day run by Sarah Pink based on her book Doing Sensory Ethnography: The proposal for the day (and for sensory ethnography) […] more…
global media mo(ve)ment
From induction session for MA Global Media Management at WSA… The videogame Sonic the Hedgehog was released in the United States and Europe in 1991. For around 10 years Sonic was the mascot for SEGA, the Japanese games company, and as such a serious competitor to Nintendo’s Mario. At the time he was hugely popular […] more…
gesture, play, and video
gesture from Seth Giddings on Vimeo. more…
gesture, technology and play
This is the website for a symposium organised by Helen W Kennedy, Patrick Crogan and myself at the Pervasive Media Studio in Bristol in 2010. Its ‘reading room’ has links to presentations and subsequent publications. The body has of course always been central to our playful engagements with games and games technologies. Yet, the embodied player […] more…
DiGRA 2015: the past and future of players
ecological and ethological studies of children’s play My contribution to the DiGRA 2015 panel From Game Studies to Studies of Play, with Frans Mäyrä, Sebastian Deterding, Mia Consalvo, Joost Raessens, Torill Elvira Mortensen, and Kristine Jørgensen I’ll prepare an online, illustrated version of my brief contribution, but in the meantime, Frans has written a reflective account […] more…
what is the state of play? the work of the Opies in the postdigital era
full article here Re-reading Iona Opie’s The People in the Playground (1994) I was struck by the fact that the children she was watching, and wryly commenting on were in their final year of primary school at the end of the 1970s – and I am of the same generation.. My playground was a few […] more…
swing test
Brandon Hill Park, one cold, wet and windy December evening… more…
Animal Crossing economics
The clock and the world’s temporality in Animal Crossing are completely integral. The clock isn’t a measure of time, but virtual time’s arrow itself, driving forward the events, economies and relationships, not just ticking along beside them. The game has some elaborate measures built into its fiction to avoid temporal paradox, manipulation, or collapse. For […] more…
Powered by WordPress | Fluxipress Theme