Tag Archives: kinokulture

toying with the singularity

My chapter on the design of playful AI and robotics – and the relationships between the material, the technical and the imaginary – is in The Internet of Toys: practices, affordances and the political economy of children’s smart play, edited by Giovanna Mascheroni and Donell Holloway (Palgrave 2019). Titled ‘Toying with the singularity: AI, automata and […]

toying with the archive

I’ve just been awarded a research stipend by the Bill Douglas Cinema Museum at the University of Exeter. Here’s the rationale: My interest in the Bill Douglas collection centres on two categories: Toys in general, and Optical Toys. A particular concern is toys as media objects, both as communication media in their own right and […]

toying with the singularity

I’ve added a draft of ‘Toying with the singularity’ to the Publications page – a chapter for The Internet of Toys: practices, affordances and the political economy of children’s smart play, edited by Giovanna Mascheroni and Donell Holloway, out now with Palgrave. Below is from an early version of the introduction: Eight Year 5 children sit around […]

gesture, technology and play

This is the website for a symposium organised by Helen W Kennedy, Patrick Crogan and myself at the Pervasive Media Studio in Bristol in 2010. Its ‘reading room’ has links to presentations and subsequent publications. The body has of course always been central to our playful engagements with games and games technologies. Yet, the embodied player […]

on not re-inventing Centrifugal Bumble-Puppy

Outside, in the garden, it was playtime. Naked in the warm June sunshine, six or seven hundred little boys and girls were running with shrill yells overs the lawns, or playing ball games, or squatting silently in twos or threes among the flowering shrubs […] The air was drowsy with the murmur of bees and […]

actualite as (machine) ethnography

Cinema of attractions as de facto ethnographic film… the actualities captured royalty, children, native cultures, everyday life, urban panoramas. The cinema provided its own logic of the spectacle: whatever it captured became an attraction by virtue of being filmed (51). By the centenary of cinema in 1995, the great wealth of early cinema had begun […]